Thursday, December 31, 2020
"How Bizarre" by OMC (Happy New Year's Eve!)
Tuesday, December 29, 2020
"That I Would Be Good" by Alanis Morissette
Today, we have a Full Moon in Cancer. This is a special Full Moon because, not only is the Moon in her home sign, but this is also the first time in about two years when being the Full Moon in Cancer is not being eclipsed. Lunar eclipses are a debilitating transit for the moon, because her light is literally being blocked. As such, eclipses are often associated with times of emotional turmoil and the need to do inner work. Likewise, Cancer is the most closely linked with the idea of unconditional love. Cancer is the sign of mothers and a mother's love is supposed to be unconditional. Unfortunately, there are many of us (too many) who did not have that experience. This is why I'm in favor of people getting counseling before having a baby. Before even getting married, because the desire, or lack thereof, to have children is (or should be) a deal-breaker. Same for a lot of other incompatibility issues, like different core values or life goals. That's where unconditional self-love comes in. Without it, we learn to ignore our intuition (another Cancer theme) in these situations.
::WARNING:: I am about to get super ranty. The Full Moon is conjunct my natal Mercury Retrograde in Cancer and there's a fullness to my understanding of the lessons 2020 has taught me. Not an excuse, merely an explanation of how events may interact with your chart through observing my own transits. Largely a personal rant - I'm in the process of planning out a more fitting home for this type of content but until then, this is my void to scream into. Consider this Part 1 of my on-going postmortem for 2020. ::END::
I knew something had gone terribly wrong when I stopped praying. Completely stopped for two weeks. Which, it may surprise you, I have never done. My idea of God may have changed, I may have stopped feeling the need to go to church, but I've never lost my hope and faith. Suddenly, it was gone. That's how I knew this was the "abyss" they keep talking about, the one that stares back. And I knew I'd never been here before. I stopped eating - I was only eating about 200-400 calories a day and that was because I knew I was "supposed to" eat. I didn't even drink that much water. The will just wasn't there. I couldn't sleep and when I did, I had terrible nightmares. I was crying multiple times a day. But it was the loss of faith and feeling of disconnection that made me realize that it wasn't manageable. And moreover, that I was making it worse by holding on to behaviors and beliefs that were no longer serving me. When I needed help the most, I found myself almost incapable of asking for what I needed.
That I would be good, even if I did nothing
An influencer who I admire, Anna Akana, does videos that basically discuss the things she's learned on her personal journey. Often, she goes over the things she's taken out of therapy and I really appreciate when influencers do this because it normalizes going to therapy, even when you're not in crisis-mode. Anna did this video in which she confesses she realized she hates herself (or she did at the time of the video - seriously, watch it...it's so good). However, you wouldn't have thought that when looking at her, because she physically takes care of herself, is kind and supportive to her friends, and seems like she has everything together. But, if you could hear the thoughts in her head, she was subjecting herself cruel, hypercritical, abusive statements daily. Things like "that comment was so stupid, why do you even talk?" And, from my perspective on the opposite side of YouTube, I was like "oh god...it's me." I came to that same realization years ago and have been working on it, but as I settled into a major depressive episode, self-hate came back with a vengeance. I grew up in a household where, if one person wasn't happy, no one was happy. That translated into a belief that my happiness (and related feelings, needs, and desires) doesn't matter. Moreover, I needed to suppress my needs and wants in order to make others happy or I would be unsafe/abandoned/neglected. Yes, I have had the thought (on multiple occasions) that I'm just not one of those people who gets to be happy (i.e., I don't deserve to be happy). My friends, I cannot tell you how self-destructive that belief is. I'm going to say this loud because I know someone out there needs to hear it: Who you had to become to survive is not who you are. Read that again, then learn it, live it, love it.
When I first accepted I was in a dark place I needed to get out of, I picked up a Postpartum Depression Workbook. The exercises have been helpful and one of those was to create my own affirmations to say when I start having negative self-talk. Full disclosure: I'm not good at affirmations. I'm not good at remembering to say/write them in the morning and all the pre-written ones sound like fluffy bunny bullshit. But, I'm leaning in to getting better so I thought, "Fuck it, let's have some fun with this." And that is why one of my affirmations is "I have eyes that pierce men's souls and can summon the dark forces of the Underworld." It makes me smile and I fucking dare anyone to challenge me on it. I see recovery as a process of rebuilding my inner world the way I - and only I - believe it should be. The foundation of how I was living my life - the thoughts I was thinking, the beliefs I was clinging to, the behaviors I was justifying - I had to let it all crumble in order to start fresh, albeit with some of the salvageable materials remaining in the wreckage. This is why the Star (Faith and Hope) comes after the Tower but it doesn't always happen like that. Some people go back to the Devil (Self-destructive patterns and behaviors). Sometimes they have to do that a few times before they move forward. Maybe they'll keep repeating that cycle for the rest of their lives because they've become so inflexible, they can't see another way.
Some may argue that their negative self-talk pushes them to be better. Sorry, that's highly unlikely. Hypercritical beliefs often keep you locked in fear - fear of failing, fear of fucking up, fear of change, and ultimately, fear of trying. It puts a limit on what you can accomplish. One of my main insecurities was that I am a terrible writer with nothing worth saying, and it kept me in my head and not writing. Lately, however, I've been writing nonstop. And, unfortunately for you, dear reader, I don't really care if it's shit anymore. Barely a fraction of it gets to this blog. I've created a file called "Keep Your Crazy Here" (which would be an amazing title for an edgy self-help book/memoir) where I keep all my half-baked thoughts that aren't refined enough for general consumption or are awaiting purpose for other projects. And even if no one else reads those words in my lifetime, I can be content in knowing I've given them a home, rather than let them die forgotten. Self-hate was blocking my inner flow. You can't hear your intuition or realize your magic through the haze of self-hatred. This is why meditation, grounding/centering, journaling (via a Book of Shadows), and shadow work are considered vital when beginning the journey into witchcraft (or any type of spiritual practice). It's why Julia Cameron leans so heavily on them in "The Artist's Way." These are tools of self-love. The Great Work is crafting your ideal life and best self, but the process of alchemy is learning to love all the people you were/are while getting to that point.
One thing I've noticed when I started changing my self-talk from coming from a hypercritical place to one of self-love is that it became easier to stand up for myself. It became easier to recognize the people who sounded like the voice fueling my self-hate. At some point, you start calling people on their bullshit, their inconsistencies, their insecurities - and it's not from a mean place. It's not like you've bottled it up and built a sack of resentment to throw at them when it gets too heavy. Nope, you notice how you feel in the moment and you point out how their behavior makes you feel at the same time. You have the courage to say, "Do you realize how condescending and contemptuous you sound when you talk to me? Well, I do and it makes me feel small and stupid." Only it doesn't take courage anymore because you don't fear them abandoning you. Once you start speaking and acting in your own best interests, you learn to accept that one of two things will happen with the people in your life - 1) they will respect your growth, be happy that you're speaking from a place of honesty, and will try to grow with you; or 2) they will resent you and eventually leave because they can't get away with treating you badly anymore. In either case, you are better off. Even if you can't always be assertive like in my example, you can learn to mentally distance yourself from their negativity so it doesn't affect you as much.
Finally, let's talk about today's featured song, "That I Would Be Good." I heard it on - you guessed it - "Dawson's Creek." It's no secret I love Alanis Morissette and this song had a motherly vibe that I felt fit the energy of the Cancer Full Moon. This song was written as Morissette's popularity on the radio was beginning to decline, as the tide turned away from singer-songwriters in a more bubble gum pop direction. It addresses the insecurities and self-doubt she felt during this time. To me, the lyrics sounded like affirmations. Reassurances that she would be okay, no matter what happened. Even if people stopped listening to her music, if she lost all her money, if she gained weight, or if she was dumped by her significant other. It's about remembering you are worthy and enough, no matter what anyone else thinks. A simple song - it's essentially just a poem and the transition in her voice is what carries us over the bridge to the end of the song. It's a fairly brilliant use of vocals. Also, she plays her own flute at the end and chose to keep the electrical buzz that was created by accidentally playing the guitar too close to an amp. Isn't that something Bob Ross used to say? "We don't make mistakes - we just have happy accidents."
"That I Would Be Good" Video
Friday, December 25, 2020
"Blue Christmas" by Elvis Presley
Thursday, December 24, 2020
"It's All Been Done" by The Barenaked Ladies
Monday, December 21, 2020
"The Beginning is the End is the Beginning" by The Smashing Pumpkins
Sunday, December 13, 2020
"exile" by Taylor Swift (feat. Bon Iver)
After three years of celebrating, I think you know what today is. It's motherfucking T-Swift's birthday. And, like a boss, she dropped - not just one - but two new albums in the thick of this hot mess we call 2020. "folklore" was released on July 24 (7+2+4=13) and she put out "evermore" last week, on December 11 (which, weirdly enough, does not add up to 13). She's been keeping busy in her log cabin deep in the woods. At least, that's how I like to picture her - walking through the trees at dusk, sipping tea on her porch as the light filters through the leaves, writing songs by candlelight. In her own words, she just couldn't stop writing. I hear you, Taylor. Same, my dear, same. But I'll write more about that in my New Year's post. I haven't been able to sit down and fully listen through these albums yet. "Sister albums" as she called them, because the songs in them intertwine, continue, and reflect the stories in each other. I prefer to let myself discover them in my own time, because I know when I need it most, the right Taylor Swift song will float into my awareness and make things better.
Let's get one thing perfectly straight - both of these albums are masterpieces. Swift is at her best when she's occupying the grey space between pop and country - squarely in indie folk music territory. The songs in these albums are vulnerable. She knows she's a complicated person, but she has been able to integrate her darkness with her light through her art in a way that so few learn how to do in this life. And, although she took inspiration from all over and she claims some of the stories she tells in her music are fictional, all the songs are strangely personal. People like to bash Swift - to make fun of her and revel in her failures to quell their own insecurities. They say she's not that remarkable. But she is. And as she softens with age and experience, she becomes even more unstoppable.
"exile" is a collaboration with indie folk band, Bon Iver. And that's how you know T-Swift really is The Man - she's collaborated with some surprising musicians and people in the industry, no matter what genre of music they create, respect her talent. If you ain't shit, no one wants to work with you. That's just how it is. "exile" is perhaps the most critically acclaimed of all the songs on "folklore" and I can understand why. In just a few short weeks, it has become one of my Unskippables, an honor only one other Taylor Swift song can claim ("Everything Has Changed"). It's a duet - you know how I love duets - where we see both sides of a painful and unexpected breakup. Both sides are full of regret, still holding on to love, but seeing the situation as unfixable. Justin Vernon's (Bon Iver) soulful voice puts a lot of emotion into that first verse, but my favorite part is the vocalization afterwards. He sounds like a wolf howling and the sound is so sad, it tears at my heart. There's a wildness to it and I have an incurable soft spot for wild things.
For Taylor's part, her lyrics are thoughtful and the words she chooses are heavy with meaning. For example, calling her new boyfriend the male singer's understudy. In theatre, we're taught the understudy is just as good, because they have to fill in the role when the main player can't be there. But in the back of your mind, you know that - if they were just as good - they would've been given the part outright. The understudy is a placeholder, and even though they may know the lines and how to play the part, there's just something missing. But it seems unfair to point it out. Even the title of song - "exile" - has a certain connotation. With a significant Cancer placement (Moon in Cancer), Swift associates Love with the feeling of home, of being safe, of being cared for - the deep intimacy of being privy to something intangible, that only you know. That is evident in the phrases she picks - "you were my town" and "you're not my homeland anymore." In this sense, exile is a very real feeling - of having been allowed deep into another's inner world, then being suddenly forced out. It is the unsettling discomfort of being unmoored, without an anchor, shoved into the wilderness without a compass. I'm mixing my metaphors, but you get it.
In the chorus, you can especially hear the hurt on both sides. There's a lack of closure. The relationship feels unfinished. Neither felt fully heard at the end but then, it doesn't sound like they even tried listening first. And reading minds - that'll just get you in trouble. If you want to know what someone's thinking, the only way to do that is to ask. And if you want someone to know what you're thinking, you've got to speak up. Something I'm trying to learn, after a lifetime of trying to read minds and anticipate everyone else's needs - and expecting them to do the same then feeling disappointed when they miss the mark. I'm particularly drawn to the seeming double meaning in Swift's use of signs. I don't think she's just referring to her attempts to get him to meet her needs. "folklore" and "evermore" are rife with symbolism, both in the songs and in the videos she's created for the singles so far. In her latest single, "willow," the video references the Golden Thread of Fate, a concept in Greek mythology that assumes every human is following their own Destiny, which is ultimately unavoidable. You can delay it, but the Universe will always keep trying to push you towards that end. In the video, it is shown connecting Taylor to her True Love (within the fantasy world she's created for these two albums). It's been a rough decade but clearly Swift still believes in fairy tales, love stories, and soul mates. No matter how many times her heart has been broken.
Swift's next year should be pretty interesting. Like myself, she has an eclipse falling very close to her birthday (solar eclipse in Sagittarius on 14 December), which is coinciding with the official end of her Saturn return (natal Saturn in Capricorn) and the Saturn-Jupiter conjunction in Aquarius will be conjunct her natal Venus in Aquarius. Yes, she should have a good year ahead of her indeed. Sharing the official lyrics video for "exile" - Taylor Swift is one of the artists that is really diligent about putting out her own lyrics videos when her albums are released. It's a really intelligent practice for two reasons - 1. She gets the views (and the money) from people watching and listening to her songs on YouTube, not some rando who spends 5 minutes with free video editing software; and 2. it allows her to control the narrative and aesthetic of the album, something she is meticulous about. Enjoy!
"exile" Video
Saturday, December 5, 2020
"I Always Knew" by The Vaccines
- The First Kiss: During a game of True American (a confusing drinking game invented by the show creators), Nick and Jess are dared to kiss. When they are getting ready to lock lips, Nick stops Jess with a simple "Not like this," which we all know means he's pictured their first kiss before and he knows he wants it to be special. Later that night, he grabs Jess and pulls her into one of the hottest kisses I've ever seen on network television. That's not to say it isn't problematic - he didn't ask her consent and, at the time, she's in a committed relationship with Dr. Sam. But, as far as first kisses go, it's pretty sexy. But I like it when a guy takes charge like that so I'm biased.
- Love at First Sight: During their first relationship, Jess convinces Nick he should try to be friends with his ex, Caroline. However, as soon as she finds out he's dating Jess, Caroline goes psycho-bitch because she assumes he was cheating with Jess when they were going out. Jess explains the timeline of their relationship to show that this isn't true and Caroline calms down. But later, Nick apologizes to Caroline because Jess was the reason he broke up with her because he fell in love with Jess the moment he met her. Majorly romantic moment.
- Saying I Love You: Nick tells Jess that he loves her as she drives away to attend a party at Prince's house. Instead of saying it back, Jess gives him finger guns. Throughout the episode, Jess spends a lot of time talking to Prince to figure out why she did that, because she loves Nick, too.
- Julius Pepperwood and Jessica Night: As all writers do, the characters in Nick's novel are based on the people in his life, the most important of which is Jess. When his editor suggests killing off Jessica Night in the next Pepperwood novel for dramatic effect, Nick puts his foot down. In his defense of his fictional character, he declares that "Jessica Night is the whole reason Pepperwood gets out of bed everyday," a statement which also reflects how he feels about Jess. It's also important to note that, instead of dedicating his first book to Reagan (his girlfriend) - who encouraged him to join her in New Orleans, which inspired him so much - the dedication is to Jess.
- Jess Truly Sees Nick: During Schmidt's wedding, Nick is anxious about starting a relationship with Reagan (Megan Fox) because he doesn't think he's in her league. In his own words, he calls himself the guy girls date to learn they can do so much better. When he says this, Jess gets pissed off, because she's tired of him getting down on himself because the Nick she sees is amazing.
- Nick's Biggest Fan: Reagan arranges for Nick to do a reading of "The Pepperwood Chronicles" but he has a panic attack. Reagan, who is Nick's girlfriend at the time, asks Jess for advice on how to help Nick through it because she's not good at comforting people. Jess tells Reagan what she would say, which is this long, lovely diatribe of how he's talented and special. Reagan tries to replicate Jess's touching words but it's clear that she doesn't come close.
Monday, November 30, 2020
"Better When I'm Dancin'" by Meghan Trainor
Today, we have a penumbral lunar eclipse in Gemini, the first of a series of eclipses occurring on my Ascendant. It also marks the start of the final eclipse season for 2020 and we're almost out of the battle royale in Capricorn, as Jupiter and Saturn will be making their way into Aquarius really soon (mid-late December). Congratulations! You've survived 2020! Perhaps celebrating is premature but things are starting to get better, even if we can't see them. As we know, eclipses portend major changes in the House they fall in our natal chart. As a Gemini Rising, this series of eclipses (as eclipses fall near the lunar nodes, which change approximately every 1.5 years) will be making aspects in my first and seventh Houses - the House of Self and the House of Partnerships. At the begin of the COVID Crisis, I watched a really interesting astrology webinar that posited that, aside from being the House of Partnerships, the 7th House contains our Shadow. I felt there might be something to that, because we often are triggered (i.e., attracted or repulsed) by traits we are repressing. For example, I've always been attracted to charismatic people. My best friend in high school often said my "type" was the loudest guy in the room - and that has been so true. Up until recently, because as I've integrated my Shadow more and became more of my authentic self, I've found that I can be quite charismatic and charming, too. Often when I'm not even aware of it - well, duh, it's my Shadow. To reach Maslow's ideal state of "self-actualization," you have to fully integrate the Shadow into the Self.
I've been feeling much better - not depressed by my standards anymore - but I plan to continue counseling because there's clearly a lot of stuff I still need to work on. Mostly around meeting and communicating my own needs, desires, and boundaries. I have a tendency to slip into codependent behaviors - giving to much of myself (in an attempt to feel worthy and avoid rejection/abandonment) without considering (or noticing) if others are reciprocating. My mindset in the past has been "if I do more, then the other person will do more." And that's simply not true. You have to ask for what you want and the other person will (1) make an honest effort to meet your request fully or (2) they won't and you have to ask someone else. And you have to be prepared to accept their response at face value, even if it's disappointing. No making up narratives about how "they really want to but they can't for some reason." Yes, being generous, caring, and helpful is in my nature, but I'm learning I need to be more discerning in who deserves my time and energy. With one month left (and it's sure to be just as eventful), I'm grateful for this year. It's unveiled the cracks in the foundation of how I deal with life and I'm finally in a place to start patching those up. So when the next baby (or other life changing circumstance) comes along, I can cope better with whatever craziness it triggers.
My favorite YouTube astrologer, Wondergirl (yeah...I don't know her real name...I think it might be Britney?) has been framing the Saturn - Pluto conjunction in Capricorn this year as huge transformational energy. Although it was only exact on January 12th, it's been in a loose conjunction since April 2019. Wondergirl says that, since that time, we've been trying to change our lives in ways we haven't been able to for the last 35 years. For some people, like myself, that's my whole life! And yeah, I've just realized in the last year that I've been mistaking codependency and repression for kindness, loyalty, and love - and it's really not fucking working for me. It never has. The same things that attract all those "pure of heart" people I've mentioned also attracts some really shitty people. And I never see it coming. I always get it wrong, because I want to believe the best in people. Weirdly enough, I have a tendency to keep the best people at a distance. There's a better song to analyze those issues, though. Long story short - I have been trying to fundamentally change my life since last April. Maybe I haven't been aware of it the whole time but I have been.
Stale approaches to how we used to solve our problems just aren't going to cut it anymore, so we have to take a leap of faith into the great unknown. It's uncomfortable but it's necessary. A lot of people are excited to "get back to normal" when the vaccine starts rolling out next year but - let's face it - the old normal was shitty. Why would you want to go back to that? Because it's familiar? Because it's easy? Because it's less scary? Because you've invested so much time into that way of life? No, none of those are good reasons. When you know better, you do better. If you keep doing things the same way - accepting the same situations, following the same patterns, attracting the same people - expecting different results, the fault is on you when you're unhappy. Regardless of whether you believe in astrology, I think that's a good way of looking at downturns in life. Every day is an opportunity to grow into the person you were meant to be. I've transformed into a million different people in my life thus far (total Gemini Rising thing) yet, somehow, I'm even more myself than ever. Weird.
"Better When I'm Dancin'" was featured in the "Peanuts Movie," and that's the only notable thing about this song. It's fun and it makes me feel happy. So much so that I've added it to my "Party Like It's the End of the World" playlist on Spotify. Yes, I spend more time thinking about what my playlists should be named than picking out the songs featured in them. Trying to keep this energy as my first day back at work is tomorrow. As is custom, this post is set to be published at the time of the eclipse.
"Better When I'm Dancin'" Video