Tuesday, November 8, 2022
"The World I Know" by Collective Soul
Tuesday, October 25, 2022
"Desire" by Meg Myers
Friday, October 21, 2022
"Cubicles" by My Chemical Romance
As stated in the previous post, I went to go see My Chemical Romance last month. It was amazing, thanks for asking. I loved it so much that I hope I get to see them perform again one day. Maybe with someone who also loves them as much as I do (not that I didn't enjoy the time with my husband). Part of me would honestly like to follow MCR around the country going to their shows but I know that's not realistic. I have responsibilities and I think the desire stems from the on-going grief I feel knowing that I'm not young enough to do something like that anymore. Ironically, the thing that shocked me most about the concert was how many young people (i.e., Gen-Z folks) were at the concert. My coworker is going to the "When We Were Young" festival in Las Vegas this weekend (yes, I'm super jealous). I was looking at the line-up and, indeed, it was basically the dream festival I had always imagined as a teenager. MCR, Paramore, Ice Nine Kills, Black Veil Brides, AFI, Dashboard Confessional, All-American Rejects.....the gang's all gonna be there! For reference, my coworker is 25. He was literally like 5 years old when most of these bands were popular and, at most, 10 years old when they faded out. Youth is wasted on the young.
I have this habit of treating a lot of things like I'm studying for a test. Like if I don't do things exactly perfect, it won't match my vision of how things should be, and everything will be ruined. Another thing I'm working on. I tend to go from one hyper-fixation to the next in this way. Or rather, I indulge myself with a little obsession, which I like to believe prevents me from diving wholly into crazy territory. With a goal or a deadline, I only go so far into the rabbit hole. Thus, in preparation for this concert - a concert I've been waiting for approximately half of my life - I listened through MCR's entire repertoire (or, at least, as much of it is available on Spotify). This process reunited me with old favorites, to be sure - favorites I still listen to fairly frequently, if I'm being honest. This process also re-introduced me to songs I didn't fully identify with when I was younger that I now understand deeply, in a way that is only possible with age and experience. One of those songs being (obviously) "Cubicles."
They didn't play this song during the concert but I'm not surprised. The set list was mostly songs from "Fabulous Killjoys" and "Black Parade," with only a smattering of the most popular songs from the earlier albums, a few B-sides and later singles. Makes sense....those two albums were released at the height of their popularity. But I personally prefer the older stuff - it is less polished, considerably darker and more melancholy. Don't get me wrong - I love it all. But the songs that changed (and, in some cases, saved) my life were on "I Brought You My Bullets, You Brought Me Your Love" and "Three Cheers for Sweet Revenge." This song is from "I Brought You My Bullets," which, for some reason, reminds me of Autumn. I associate the main MCR albums with seasons - "Black Parade" is obviously Winter, "Fabulous Killjoys" reminds me of Summer, and I guess that means "Three Cheers for Sweet Revenge" would be Spring. Don't ask me why. It's probably because of the coloring of the album covers and the general aesthetic for each of the releases. I'm rambling now. Old age, you know. Give an old lady some grace.
Let's talk about "Cubicles." On the surface, the singer is lamenting that his work crush has gotten another job and left. Ultimately, though, it's about the depth of loneliness one feels after the loss of connection, even if the potential of that connection was tenuous or merely imagined to be there. We tend to grow attached to the people we're around the most and now, especially in early adulthood, we often spend most of our time around our coworkers and classmates. It's natural to form attachments to and crushes on them. It's psychological - our survival depends on the people we spend the most time with so our brain associates positive feelings with them (even if the actual relationship is not particularly enjoyable). As someone who often feels like I'm always the one who feels the connection deeper and becomes more attached, I understand this song on so many levels. There's the obvious layer of unrequited love (which the singer may or may not have admitted to their person), which is a difficult situation. Although, given life perspective, I don't think it's as bad as being in a relationship that is abusive or where you feel trapped. I've always been able to get over unrequited love, which isn't really love if you don't know the person that well. In fact, it's possible the crush wouldn't turn into love at all if they had a chance to be with the object of their affection. Getting to know someone always dashes the fantasy of who they are and who they could be. Disappointment has ultimately been harder to move on from than rejection. But maybe that's the situation here - maybe he was close with his work crush. Maybe they were even friends, good friends, best friends....at least, in his mind, they were. And then they left this job and completely stopped communicating with the singer. Not only does it ruin his hopes of what they could've grown into but also puts into stark reality exactly how much whatever friendship existed was valued. And that's where the disappointment comes in. When you realize you don't mean as much to the other person as they mean to you, even though it seemed mutual when you were in the midst of it. And yet, you still have to see reminders of them everywhere. Like old Teams messages or references to something they said in an email. Or seeing their name on slide decks and glimpses of their face in pictures of the last office party, stashed away on a shared drive. A cruel joke of corporate romance.
In the song, he laments that, sometimes, he thinks he'll die alone. By the end of the song, it doesn't sound like such a tragic option. The lyrics change to "I think I'd love to die alone." Yeah, that doesn't sound so bad. I've come to realize that I don't mind being alone as much as I used to. I like my own company. I'm a pretty awesome person....way more interesting than most people I meet. And I'm not great at small talk. I've only been at this job for about 8 months and I only recently started feeling like I formed casual friendships with my coworkers. It struck me how slow this process has been but maybe it's supposed to be. I've only been going to my pole studio for about 6 months and I'm gradually becoming a fixture. I've met most of the teachers and they all recognize my face when I show up to class. I have people I chat with when I go to class - maybe I'm not as close with them as with my first group of pole sisters, but we're getting there. It's a very different dynamic between the main social circles of my life. There was a time when the only social interaction I got was at work - when that's the case, it's easy to get overly attached to the people there. That's the bullshit workplaces are trying to pull, right? You're family here! No, no you're not. It's an act of rebellion to have a vibrant life outside your work, outside your home, outside the tiny little boxes society has built for us. It's nice to say I do something other than watch TV when I'm outside work. It's a good thing that my career is no longer all that I am.
I'm gradually learning not to be so attached to people. That the best relationships in my life took years to form, not months. Over the summer, I got to meet up with my best friend from high school multiple times. It was amazing to talk to someone who knew so much of my history and still understood so much of who I am, even though we had several years to catch up on. I've been on a walk down memory lane much of the past few months, honoring my inner teenager, because I never really got to enjoy that time of my life. I was stuck in survival mode for most of it, and the things that got me through it were the aforementioned best friend, music, writing, reading, and performing. Not surprisingly, the Sun, Mercury, and Venus have been transiting Libra, my 5th House where my South Node is located. The 5th House is associated with Leisure, Fun, Childhood, Creativity, Love, and Play. These themes have been very present in my life and it's been a period of trying to get back to those things, the things that bring me joy and happiness, especially in terms of my relationships (both with self and others). It's been an area of life that has been out-of-balance for a while, so I'm trying to let the scales do their work.
Take (take)
I think I'd love to die
Me (me)
Down (down)
I think I'd love to die
Just (just)
Take (take)
I think I'd love to die
Me (me)
Down (down)
I think I'd love to die alone
The Universe agrees and has been sending me signs. A few memorable ones - pulling out of pole class and stopping behind a truck with a license plate that said "DREAMBIGG." I tried to take a picture but it turned out blurry (and I'm sure the driver thought I was crazy...which I am). Another time, a few weeks ago, I was at the gate for work and the car next to me was a Mini-Cooper with a license plate that said "ZIIPPY." Sometimes a license plate is just a license plate.
As you may already know, Taylor Swift's new album, "Midnights," dropped at (you guessed it!) midnight today. I'll eventually get around to listening it but you know how I like to slowly discover my T-Swift gems. But it's just one more thing to look forward to. Happy Friday!
"Cubicles" Video
Saturday, September 24, 2022
"She Knows" by J.Cole (feat. Amber Coffman and Cults)
I'm up at 3:30am and - instead of lying in bed with my eyes closed, trying to sleep, like I do most work nights - I'm leaning into it. I can tell I have a high level of anxiety in my body. And I haven't written in a while. Haven't been able to gather the brain power, but I'll speak on that more later (in a very belated birthday post). I'm not sure what I'm trying to say here and as such, this post might be more stream of consciousness than anything I would normally put on this blog. It's not even much about the song, even though I know it's the inspiration that's getting me writing this morning. It's a banger that I keep hearing on Instagram reels. I decided to hunt down and listen to the full version on Spotify - best decision I've made in the past couple hours, mos def.
In about 24 hours, I'll be on a plane to Houston to go see the My Chemical Romance concert. An event I've been looking forward to for the last two and a half years. I bought the tickets the day I found out I was pregnant with my youngest, who will turn two in about two weeks. Yep, you did the math right - the original concert was supposed to happen when I was about 9-months pregnant. And yes, I was fully intending to go, belly and all. I couldn't tell you what I was thinking that day, but I can tell you I had been panicking and crying a lot. For various reasons, most of which were my own fault. The Universe (and the COVID-19 pandemic) had other plans and the timing actually worked out in my favor. Now, the concert is more like a little vacation for me than an overnight trip. It's supposed to be relaxing. But I'm anxious - about leaving my children, about flying (which I haven't done in over three years - even though I love flying usually), about the hotel reservations, about whether these new-fangled digital tickets will work when I get to the door, about getting out of a concert late at night in a strange city, about not going to work (I have taken very little PTO since I started....8 months ago)...you get the idea. There's a level of restlessness in my body that's hard to handle. And even though I spent all yesterday cleaning and our rental house is the tidiest I've seen it since we moved in, I find myself finding small, meaningless tasks to occupy my hands.
I almost don't want to go, which is crazy. Not only did I (and my parents - the plane tickets were my birthday gift) spend a lot of money on this trip, but it's a once in a lifetime opportunity. I missed my chance when MCR was originally really big. I was in my late teens/early 20s and a broke college student - concerts weren't exactly in my budget, even though some really good ones passed through Pan-Am Center while I was at NMSU. And considering how much of my life has been dedicated to music, I don't go to concerts very often, and I wish I could. Adulthood, am I right? I can't stay home - I know I would regret it for the rest of my life. So, like I always do, I'm going to suck it up and push through, in spite of the anxiety and fear, because I have no other choice. I've never had any other choice.
The weird thing about being on a healing/spiritual journey (what...you thought I was writing about music?) is that I'm painfully aware of my patterns. This one - a term coined by Gay Hendricks in his book, "The Big Leap" - is an Upper Limit Problem. Essentially, when something good is happening in our life, we find ways to sabotage it because we've been conditioned that we don't deserve good things, we don't deserve happiness. Our mind manufactures drama to bring us down from the high, to "safe" emotional levels. Mind you, these emotional levels might not even really be safe - our standard emotional level may be chronic depression, addiction, suicidal ideation, self-destruction, or high-functioning anxiety. There are a lot of good things in my life right now and even though I don't have everything I want, there's a lot to be grateful for. I try to remind myself of that every morning - yes, I have a gratitude practice where I write down three things I'm grateful for daily. It's a practice I've kept up for 650+ days straight (according to my app) - I started it shortly after my youngest was born, when I was in the depths of PPD. It helps - I'm a much happier person than I was back then.
Which brings me to my Upper Limit Problem - I tend to get really anxious and fearful when I'm looking forward to something or I'm in a situation that makes me really happy. I know why this is - good things were always intertwined with anxiety and fear when I was growing up. Delicious food was always tainted with comments about my body or weight (same with nice, new clothes - hence why I don't often buy clothes for myself and certainly not the kind of clothes I want to wear); my dad being home would often mean overhearing scary arguments/fights and eventually, he would leave on deployment; a trip to Disneyland (or any other family vacation) could quickly turn south if my mom had a mood swing (which was pretty much every trip). I always got straight As, lead roles in theatre, solos in choir - but none of this ever came with praise. It barely even got attention, so if I seem weirded out by compliments and congratulations, it's because nothing I've ever done seemed to warrant it. The irony of my life is that I yearn to be seen and understood, yet actually getting what I want makes me deeply uncomfortable, even scared. And that leads to me downplaying it or fucking things up in some way. It's a large part of what stops me from seriously trying to publish my writing (a hurdle I'm still working through). And the truth is that - for a brief, shining moment in my life - I was able to forget some of those insecurities and fears. And I lost it, and I've been spending the last few years trying to get it back. A YouTube creator I follow explained the journey like a snow globe - if you want the pretty snow (or glitter), you have to be able to handle the shake-up. The shake-up is the hard part where you have to confront your triggers, fears, and insecurities and do the work to get past them. I suppose I'm still in the shake-up.
I've been listening to "She Knows" on repeat while I've been writing this. I said this post didn't really have anything to do with the song but, in it's own way, it describes the Upper Limit Problem. The singer is succeeding in one part of his life (his career) but totally messing up another part of his life (his relationship). He is so focused on his own stardom and playing a role - and he finds himself justifying the things he's doing. She knows....heck, she's probably even doing the same thing. Underneath it all, it's this very real fear that he doesn't deserve any of it - the career, the fame, the fortune, and a happy relationship. That he's not good enough for any of it, that he can't be what they want him to be.
I don't know if any of the above made sense but thanks for reading this rant. I feel better now.
"She Knows" Video
Tuesday, May 31, 2022
Double Feature: Machine Gun Kelly
Wednesday, March 10, 2021
"Dust to Dust" by The Civil Wars
Sunday, February 14, 2021
"Crazy in Love - Remix" by Beyonce
For Valentine's Day, I thought I'd share one of my favorite songs from my "Sexy Dancing with Myself" playlist (Did you get the reference?), which is the playlist I like to use when I'm practicing my S-factor moves. From a book, since taking an in-person class is still pretty risky right now. As you may have guessed, today's post is a Song du Jour entry, so I'll be rambling about whatever the fuck I want. And today, my friends, that's the insanity being sparked by the stellium in Aquarius squaring Uranus in Taurus.
A lot has been said about what Uranus in Taurus will bring. As an Earth sign, Taurus is all about stability. Being a Venus-ruled sign, it's related to a lot of things - finances, luxury, self-love, beauty. But, when I think of Earth signs, it brings to mind sensuality. The element of Earth is all about the physical world. Our Earth sign friends are often considered unsexy - they are usually stubborn, often cold, and are considered calculating and critical. However - for the right person - Earth placements are can be incredibly sensual and sexual. Like Water placements, they are a feminine/receptive duality - yin energy is associated with wildness and pleasure, and Earth is closely associated with what happens when the emotional becomes physical. As such, Earth signs, when deep in love, often take on the more watery aspects of their opposing sign. Analytical Virgo can be as imaginative and playful as a Pisces when they've fallen for someone; Independent Taurus has near Scorpionic devotion to their partner; and Chilly Capricorn takes on downright Cancerian qualities of hopeless romanticism and affection when they've found their soulmate. Beyonce herself is a Virgo Queen and that's what this song is about. A girl who had it all figured out feels out of control once she finds her match. She is "Crazy in Love."
But that is not what this post is about, my friends. This post is about what happens when Uranus is causing havoc in a Venus-ruled sign, especially when that sign is Taurus. Venus-ruled Libra is the intellectual side of love - deep conversations, friendship, quality time - as well as the more traditional aspects of Victorian Romanticism (roses, hearts, etc.). Taurus, on the other hand, is about the more physically grounded aspects of Venus - combining assets and finances, buying things together, cooking and eating together, and sex/physical intimacy. When Uranus charts its path through Taurus, these are the things that are going to be shaken up. I always picture Earth signs as being very honest and direct and -especially with Taurus - authenticity is key for surviving this transit. I'm going to lay it out there with my predictions and say that one of the big things we're in for, especially with all these rough transits, is another sexual revolution. One thing I've noticed being purged from the collective unconscious in recent years is shame and dishonesty surrounding sexuality. People are more openly considering nontraditional partnership situations, like polyamory and swinging, as well as experimenting more in the bedroom.
It's not all fun and games, though. We're also taking a deep look at what "consent" means and cracking down on gendered harassment. There's been an increase in reversed gender roles at home, with more women identifying as the breadwinner for their family as well as an increase in the number of men calling themselves "house-husbands" (which includes my own situation). Uranus transiting through a Venus-ruled sign was usually accompanied by changes in women's roles. During Uranus in Libra (1968-1975), we had the official "Sexual Revolution," which was marked by the landmark Roe v Wade decision and the rise of Second-Wave Feminism. The last time Uranus was in Taurus (1934-1942), women entered the workforce in droves to fill in for men during WWII. During this time, women also had opportunities to make their mark on science, academic, and military progress. It is important to note that Hedy Lamarr - at the time, the Most Beautiful Woman Alive - invented the frequency-hopping spread spectrum technology that would later serve as the basis for Bluetooth. If it seems like the women in your life have a lot going on, it's because they do.
On a more personal note regarding Uranus in Taurus, I've found myself returning to things I've always been interested in, but it always felt like it was inappropriate to mention. Like pin-up art and burlesque performance, sex magick, tantra, witchcraft, and a preference for embracing my femininity and feminine beauty. Taurus rules my 12th House, which rules over what's hidden - these happen to be things I've always kept to myself. Those things are needed now to bring balance. A lot of those topics have been demonized and repressed into the collective shadow - it's only natural that they're popping back up to be reintegrated. Again, the solution is balance. The collective - and the individuals within the collective - need to embrace both healthy femininity and a healthy masculinity in order to thrive. End rant.
I chose this song because I think it sounds sexy. There's a reason it's one of the themes for the "Fifty Shades of Grey" films. I know it says "remix" but I actually would consider it more of an "alternate version" as Beyonce completely rerecorded "Crazy in Love" for the film to create a darker, more sensual sounding song (the movie is a soft-core BDSM romance, after all). The original version borrows the hook from classic 70s soul and is a lot bouncier and more upbeat. Personally, I prefer the "Remix" as I think the sound fits my interpretation of the lyrics, which is that - for that one person - you kind of lose your mind a little bit. You act completely out of character and it makes no sense, but you're just.....carried away and consumed by waves of desire. The slowed-down version sounds a bit more tortured, more hesitant, more unsure of the outcome. Yes, we know she marries Jay-Z in the end but, for a moment there, Queen Bey was all over the place.
"Crazy in Love - Remix" Video

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